Hiển thị các bài đăng có nhãn Festivals. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Festivals. Hiển thị tất cả bài đăng

Chủ Nhật, 9 tháng 8, 2015

Nyepi | The Atlantic's In Focus

Photo © Agung Parameswara/Getty Images-All Rights Reserved
The Atlantic's In Focus (which, in my long held view, is the best photography blog of all the major news media) has recently published a gallery featuring 27 photographs of Nyepi.

Every year, the Indonesian island of Bali celebrates Nyepi, the Balinese New Year's Day. Nyepi is a day of silence, and is dedicated to self-reflection. It's the day when people (Balinese Hindus and tourists) stay home and are not allowed to use lights, start fires, work, travel or enjoy entertainment. There is little or no noise from TVs and radios, and few signs of activity are seen even inside homes.

However, the days surrounding Nyepi are anything but silent - several rituals of offering and cleansing take place before and after New Year's Day, to rid worshipers of past evils and bestow good fortune in the year ahead.

I haven't been to Bali during Nyepi, but I attended a number of Melasti rituals which start off Nyepi, but are also frequently held all though the year.  A Melasti ritual is performed near the sea, and is intended to purify various sacred icons belonging to several temples. During the festival, sacred purifying water is obtained from the sea.

Photo © Tewfic El-Sawy-All Rights Reserved
In the above photograph, I photographed a Melasti in Bali during which a number of women (and men) lost conciousness and went into short trances. The one above was particularly interesting because it coincided when the sacred water from the sea was brought onshore in a large bottle (seen on the left under the white umbrella). 

Thứ Ba, 4 tháng 8, 2015

Mosa’ab El Shamy | Egypt's Mawlid |TIME LightBox

Photo © Mosa’ab El Shamy- Courtesy Time LightBox
"Mawlid" is the Arabic word for birthday, and in the context of this feature, is a religious birthday. The most celebrated in the Muslim world is the birthday of Muhammad, the Prophet of Islam. However, there are many others religious birthdays that are observed in some countries, such as Egypt.

Although the majority of Muslim scholars favor the observance of Muhammad's birthday, the more orthodox do not. In some countries, such as Egypt and Sudan, Mawlid is used as a generic term for the celebration of birthdays of local Sufi saints as well. Around 3,000 Mawlid celebrations are held each year and attended by tens of thousands of people.

The largest Mawlid in Egypt attracts up to three million people, and honors Ahmad al-Badawi, a local 13th-century Sufi saint. It is easy to forget that Egypt was once the seat of the Fatimid Caliphate, a Shia Islamic caliphate, which left exquisite examples of Islamic architecture such as the Al Azhar University, the Al Hakim mosque and the El Hussein mosque (Masjid El Imam Hussein).

The largest Mawlid is that of Ahmad Al-Badawi, the founder of the Badawiyyah Sufi order, a Moroccan Sufi who fought the Crusaders in the 13th century.

Exploring The Mawlids of Egypt is the work of Egyptian photographer Mosa’ab El Shamy, a Cairo-based independent photographer who covers daily news stories, as well as in-depth cultural and social documentary projects. In 2013, TIME picked one of Mosa'ab's photographs among its best 10 photos of the year. He won an Award of Excellence from Pictures of the Year International competition and then selected by PDN among its 30 Emerging Photographers in 2014, as well as one of the Guardian’s Top 10 Youth in Digital Media.  

He also won the Egypt International Photography Contest and Arab Union of Photographers competition and was shortlisted for numerous awards including the Terry O’Neil award, Hasselblad and Professional Photographer of The Year.

Thứ Bảy, 18 tháng 7, 2015

The Birth of Color | When Krishna Met Radhe



I'm pleased to feature my photo essay titled The Birth of Color-When Krishna Met Radhe with more than 20 "full-bleed" color photographs of the festival of Holi in Vrindavan and Mathura. I chose to publish this 'sampling' of photographs on Exposure, one of the photo-narrative portals that is designed to give photographers space to publish photo essays. Some of these images and others will also be published on my website.

These photographs were made during my recent The Sacred Cities Photo Expedition-Workshop to Varanasi and Vrindavan. We spent around a week photographing the festivities of Holi in Mathura and Vrindavan and in retrospect, it was one of the most difficult photo expeditions-workshops to operate due to the chaotic nature of the festival, and other factors which I address in more details here.

Part of the title to this photo essay is obviously inspired by the movie When Harry Met Sally...an iconic movie if there was ever one. There's no direct link with the movie's story, but I thought it was a catchy title. In fact, the festival of Holi is based on a number of legends; only one of which is based on the love story between Krishna and Radhe.

Producing an audio-slideshow of Holi is quite difficult because of the disparate events that took place whilst we were there. Particularly difficult is the editing that will have to go into producing a coherent audio track.

Photo © Charlotte Rush-Bailey-All Rights Reserved

Seeing the imagery I returned with, I now think whatever happened to me: getting whacked on the elbow by stick-wielding out-women during one of Holi's 'rituals', getting smothered with color powder or doused with colored water, was really worth the trouble.



Thứ Năm, 12 tháng 3, 2015

Theyyam: Incarnate Deities | Maptia



I'm very pleased that Theyyam: Incarnate Deities, one of my most colorful photo essays, is now featured on Maptia.

A beautiful way to tell stories about places, Maptia is a new platform designed for thoughtful, inspiring stories that make us want to get out there and explore the world, and each story has its own unique map.

It's different from the crop of photo/storytelling platforms that have recently appeared, inasmuch as it makes easy for people and story tellers to share long-form stories about the places that matter to them, and by creating unique, visual maps of these stories.

In an interview with WIRED some 6 months ago, Maptia's founders indicated that the platform already had a community of 10,000 bloggers, photographers, and writers.

Theyyam is a popular ritual form of worship of North Malabar in the state of Kerala (India), and is essentially a living cult with several thousand-year-old traditions, rituals and customs. 

In his book, Nine Lives, William Dalrymple wrote about the Theyyam. One of the stories, "The Dancer of Kannur", is of one of the Theyyam performers who's quoted as saying:
"...during the theyyam season, from December to February. We give up our jobs and become theyyam artists. For those months, we become gods. Though we are all Dalits (untouchables) even the most bigoted and casteist Namboodiri Brahmins worship us, and queue up to touch our feet."
The Theyyam prepares for his performance by meditating while his make up is applied, which usually takes a few hours. When it's ready and totally dry, he views himself in a hand mirror, and then enters in a sort of a trance, whereupon he walks (aided by assistants) over to the temple's shrine and gradually morphs into the shrine's deity. The Theyyam dances to the accompanying drum beat,  and goes deeper into his trance. At the appropriate time, the Theyyam is seated on a stool and devotees approach him with donations and solicit advice, which he provides in a raspy voice. I was also told that the Theyyams' advice is provided in a mixture of Sanskrit, Old Malayalam and Tamil. Both Theyyams and Kathakali performers use similar eye movements to convey emotions.

Thứ Tư, 28 tháng 1, 2015

It's Thaipusam Time...!

Photo © AP Phots/Joshua Paul - All Rights Reserved
A few days ago, the festival of Thaipusam was celebrated in various Hindu (mostly Tamil) communities in Asia, but its epicenter was in Kuala Lumpur, Malaysia as it has been for the past 125 years. It's a highly symbolic festival celebrated annually with a procession by devotees seeking blessings, fulfilling vows, offering thanks, celebrating Lord Subrahmanya or Lord Murugan, who represents virtue, youth and power to Hindus and is the destroyer of evil.

In Asia, more than a million Hindus thronged temples to celebrate this festival,  during which many display their devotion by piercing their bodies with hooks and skewers. On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks.

The devotees perform “Kavadi”, an act of faith where they suffer the pain of dozens of hooks and spears piercing their body during the 272 steps that bring them to the cave temple.

Yahoo News has featured a collection of photographs taken a various photographers (some photographs are rather gruesome) on its News webpage. These are arranged in a slideshow format.

It is said that there an incredible amount of photographers and photojournalists during the processions and at the Batu Caves; and it takes a lot of doing to avoid taking photographs with other photographers in them. I haven't noticed photographers in the slideshow...but I know full well the amount of effort (and frustration) it takes to do so.

Self mortification rituals are performed in a number of religious traditions; the Shi'a mataam on the day of Ashura is one of them. And I photographed the Kodungallur Bharani, a wild and unusual localized religious festival near Kochi, during which devotees symbolically strike their foreheads with swords till blood trickles down their faces.

Thứ Sáu, 16 tháng 1, 2015

Semana Santa | Reuters' Full Focus

Photo © REUTERS/Marcelo del Pozo-All Rights Reserved
Try to say the following in one go...without pausing to take your breath.

"Holy Week is the week preceding Easter and the final week of Lent. Holy Week begins with Palm Sunday and ends with Holy Saturday, the day before Easter Sunday. Holy Week includes Holy Thursday (also known as Maundy Thursday) and Good Friday, which, together with Holy Saturday, are known as the Triduum. Before the revision of the liturgical calendar in 1969, Holy Week was the second week of Passiontide; in the current calendar, Passiontide is synonymous with Holy Week."

Out of breath and confused? That's okay.

Reuters Full Focus has two dozen photographs of the Holy Week, which are worth you stopping by. Most of the remaining photo bogs will sooner or later feature photographs of this week long event, but Reuters was the first.

I have a travel photography bucket list, and the Semana Santa event in Seville is certainly on it. This event is one of the important traditional events of the city, and is celebrated in the week leading up to Easter. The week features the procession of floats of lifelike wooden sculptures of individual scenes of the events of the Passion, or images of the Virgin Mary showing grief. Some of the sculptures are ancient, and are revered.

Photo © Tewfic El-Sawy-All Rights Reserved

I attended a Semana Santa in La Antigua (Guatemala), and it was quite an experience. Although small, it featured some rituals indigenous to this Central American nation, which included covering streets of La Antigua with natural, aromatic carpets of flowers, pines, clover and fruits, which the residents made and placed in front of their homes.

I'm interested in the Spanish observances during Holy Week, especially in the smaller towns and villages where one can see processions of hooded flagellants in chains and performing self mortifications...and this is on the bucket list.

Thứ Năm, 14 tháng 11, 2013

Andrea Orioli | Thaipusam

Photo © Andrea Orioli-All Rights Reserved

The Thaipusam ritualistic event occurs 13 kilometres outside the Malaysian capital city, Kuala Lumpur in a sacred Hindu shrine called the Batu Caves.

The festival of Thaipusam was brought to Malaysia in the 1800s, when Indian immigrants started to work on the Malaysian rubber estates and the government offices. The festival is celebrated mostly by the Tamil community, and commemorates the occasion when Parvati gave Murugan a spear to vanquish the evil demon Soorapadam.

On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks.  The devotees perform “Kavadi”, an act of faith where they suffer the pain of dozens of hooks and spears piercing their body during the 272 steps that bring them to the cave temple.

Andrea Orioli photographed Thaipusam, and provides us with yet another view of these not-for-the-faint-of-heart rituals. He is  a biologist working in Switzerland, and has had the good fortune of traveling widely and making photographs. Far more interested in people and cultures than anything else, he's passionate about documenting endangered cultures before they disappear.

He also has featured interesting galleries on his website, including one in Sumba (Indonesia) and another in Kyrgyzstan.

Chủ Nhật, 16 tháng 6, 2013

Đạo Mẫu | Serendipity Then Research


One of the main interests that underpins my career as a travel photographer is the documenting of ancient religious rituals, ceremonies and festivals that are still observed and practiced around the world, and the primary objective of many of the photographic expeditions-workshops I lead is to document such rituals and festivals. This interest is somewhat of a brand for me; a brand that I cherish and nourish.

Following my gut instinct, and helped by a degree of serendipity, during my recent photo expedition in Viet Nam, I stumbled on an ancient religious ceremony called Đạo Mẫu, which I photographed on two occasions in Sa Pa and Bac Ha,  and have now uploaded a selection of color photographs on a gallery titled Đạo Mẫu: The Worship of Mother Goddesses.

These photographs were all made with a Fuji X-T1 and a Zeiss Touit 12mm.

Whilst photographing these two ceremonies (one followed the other over two days), I was hampered by a dearth of information regarding these ceremonies. Either the translation was inadequate or the information obtained by those involved in the ceremonies was sparse and superficial...even the name of the rituals differed.

Hearing chants and music coming from the Gia Quoc Cong Vu Van Mat temple in Bac Ha, but finding no one that could understand English, I asked patrons in a nearby restaurant what the ceremony was about, and one finally understood my gesticulations, and told me that it was hầu đồng...words I recognized from my earlier photo-shoot in Sa Pa.

All I knew at the time was that the ceremonies revolved around a medium who communicated with spirits), trances, and religious songs....and I photographed the unfolding ceremony in the Bac Ha temple, as I did earlier in Sa Pa. With other things relating to the photo expedition-workshop on my plate, I hadn't the time to research it deeper than a cursory internet search with the little information I had. Otherwise, I would've sank my teeth in the research like a bull terrier.

I have since started research Đạo Mẫu, or The Worship of Mother Goddesses in Viet Nam, and the rituals of Lên đồng (or Hầu đồng), the practice of spirit mediumship in this type of worship. There are scholarly texts that associate Lên đồng séances to extremely ancient indigenous rituals, which possibly included rites of human sacrifice of mediums possessed by evil spirits.

One of the sources of basic information is Wikipedia, which describes the main ritual, which may last from two to seven hours, as beginning with petitions to Buddha and to the deities for permission to proceed with it, after which the medium sits in the middle of four assistants, whose job it is to facilitate the medium's incarnation of different deities and spirits. Musicians and singers perform invocation songs to induce trances in the medium, at which point he or she is ready to incarnate different spirits. The assistants help the medium to change costumes, and hand over the various props such as swords and torches.

This is precisely what I witnessed during the ceremony (actually, they were two ceremonies back to back) in the Bac Ha temple. The two mediums were flanked by four assistants, and musicians played songs in a corner of the temple.

The color of the medium's four costumes represents a deity who manages a part of the universe. Heaven is red, Earth is yellow, Water is white and Forest is green.

My interest in Đạo Mẫu is certainly piqued, and I intend to continue gathering information on it, online and through friends in Viet Nam. My knowledge of Southeast Asian religious traditions is not as broad as I would've liked, and with Đạo Mẫu serendipitously appearing on my radar, it's certainly time to redress this.

That said, the rituals of Lên đồng (or Hầu đồng) are not easy to photograph. The temples where I witnessed the rehearsal and the ceremony were small, and had devotees sitting on every inch of the floor, so it was difficult to move about and get different angles, especially as the altars are large. The ceremony itself was held at night, with poor and uneven lighting. Although the costumes are gorgeous, with the medium performing unusual rites such as throwing small denominations of cash to attendees, puffing on cigarettes and twirling swords and flags, the rituals are somewhat repetitive, and finding different angles is a must. The mediums appear to be fascinating characters, and would offer interesting insights into this belief system.

In short, Đạo Mẫu is on my list. 

Thứ Năm, 25 tháng 4, 2013

Andy Richter | Kumbh Mela


Photo © Andy Richter-All Rights Reserved
"I wanted to go deeper and connect with the Kumbh from a participant’s point of view. I wanted to see what it was like from the inside, to really experience this massive gathering, and photograph that. It was essential to slow down and spend time with people." -Andy Richter (The Leica Camera Blog)
The Kumbh Mela is the one pilgrimage-festival that seems to really emit a powerful magnetic force, gathering not only Hindu devotees, but all sorts of people including photographers and photojournalists from every corner of the world.  It's one of the world's most extraordinary religious events.

Its main objective is to bathe in the Ganges, as it's said that bathing in sacred rivers during the annual pilgrimage breaks the circle of life & death, and allows Hindus to attain moksha. While attended by millions of authentic pilgrims and devotees, it also attracts an enormous number of charlatans, magicians and fake sadhus who are surrounded by the unwary, the gullible, the curious and naturally, the tourists.

I know this first hand having attended and photographed the 2001 Maha Kumbh Mela in Allahabad, which is reported to have attracted approximately 60 million people, making it the largest gathering in the world at that time.

I am pleased to feature Andy Richter's Maha Kumbh Mela, which was mostly photographed with a Leica M9 with a 35 mm Summilux. One of his essay's photographs shows a mass of pilgrims crossing a pontoon bridge, where I also walked, and I still recall the sensation of being shoulder to shoulder with this moving mass of humanity, giving me the impression I was standing on a flat escalator.

Andy tells a fine story on The Leica Camera Blog, and mentions how he was surrounded by the naked babas bathing in the river...and meeting Alex Webb at the same spot.

Thứ Tư, 26 tháng 9, 2012

Cedric Arnold | Phuket Vegetarian Festival

Photo © Cedric Arnold-All Rights Reserved
Here's a festival with religious connotations that I ought to add to my list of to do events.

The Phuket Vegetarian Festival is an annual event held in Thailand during the ninth lunar month of the Chinese calendar, and was held  from 24 September - 02 October 2014. It celebrated the Chinese community's belief that abstinence from meat and various stimulants during the ninth lunar month of the Chinese calendar will help them obtain good health, peace of mind, and will also offer spiritual cleansing. Its accompanying sacred rituals grant good fortune on those who observe this rite.

It is thought that the festival was introduced to Phuket by a wandering Chinese opera group who fell ill with malaria while performing on the island.

One of the most exciting aspects of the festival are the ceremonies held to invoke the gods. Firewalking, body piercing and other acts of self mortification undertaken by participants acting as mediums of the gods, have become more spectacular and daring as each year goes by. Men and women puncture their cheeks with various items including knives, skewers and other household items. It is believed that the Chinese gods will protect such persons from harm, and little blood or scarring results from such mutilation acts.

Cedric Arnold's Phuket Vegetarian Festival brings us spectacular monochromatic photographs of this event. Very reminiscent of Thaipusam, the festival includes acts of self mortification that are shocking and gruesome.

Cedric Arnold is a photographer specializing in portraiture, travel, documentary & corporate photography, as well as movie stills. In his personal work, he is often drawn towards exploring the markings of time, this can be in the subject matter itself or expressed with the medium he uses: out of date film, old instant film, or even through chemically altering prints and emulsion.

This is the fourth time that I feature Cedric Arnold's work on this blog. Previous posts can be found here.

Thứ Hai, 19 tháng 3, 2012

Thaipusam | Yeo Kai Wen



Here's an interesting and compelling photo essay on Thaipusam, the Hindu festival celebrated mostly by the Tamil community during January or February. It's mainly observed in countries where there is a significant presence of Tamil community such as India, Sri Lanka, Malaysia, Mauritius Singapore, Indonesia, Thailand and Myanmar.

This particular series of monochrome photographs were made during Thaipusam at Sri Thendayuthapani Temple in Singapore, by Yeo Kai Wen and was featured by Exposure.

It's unusual to see Thaipusam photographs in black and white as it's a colorful festival, with devotees shaving their heads and undertaking a pilgrimage along a set route while carrying out various acts of devotion, which may include self-mortification by piercing the skin, tongue or cheeks with skewers.

The photographer, Yeo Kai Wen graduated from the School of Film and Media Studies with a Diploma in Mass Communications in 2009, and is now specializing in documentary production, print and photojournalism.

Exposure is a storytelling platform specifically created for photo sets which are described as 'narratives'. It appears to have an extremely simple and easy to use editor that lets you drag and drop photos into your browser, and then add headers, body text and captions between photos. The posts feature full-bleed images and imaginative fonts and white space. Three Exposure posts are free, but for unlimited posting, custom domains, password-protected posts, and more, one has to shell out either $5 or $10/month, depending on the package chosen.